This, the specialists argue, undermines the assertion that a medieval French craftsman could have envisioned and produced such an image, particularly of a naked, full-length, post-crucifixion Christ – a depiction virtually unknown in medieval Western artwork. Moraes has responded in the same journal, defending his findings but emphasising that his work was “strictly methodological”, concentrating on how bodies distort when imprinted onto cloth.
Article source: https://www.express.co.uk/news/weird/2169207/turin-shroud-forgery-theory-challenged-new-scientific-rebuttal-specialists